Welcome to the first blog post of 2019, how lovely to have you join me for some inky-matter chatter.
To start, these are the pens I’ve got inked and the colours they are sporting. Somehow in the fun and games before Christmas, I lost track of which inks I was using and so I am not 100% sure what is in the Cross Century and the Lamy LX. C’est la vie. Once the current ink is used up, I will be sure to fill them and actually make a note.
The three pens I am sure of are the three that I am carrying in the lovely 3-pen case that I received as a Christmas gift; these are two Waterman Hemispheres and a Lamy Safari. The Safari has been out of rotation for quite a while. I used it extensively as my work pen up to the middle of 2018 and it lived in my desk drawer at the office. Since that part of my life is in hibernation, I haven’t been using it. This isn’t a slur on the Safari, it is a very good workaday pen; it’s just that I have others I prefer to use. However, I think it has found its calling as a full-time “red ink pen” since I decided to try out the Ruby Lamy Crystal ink in it. In the past couple of days I have recalled just how much I enjoy using red ink for underlining titles and drawing attention to important notes.
If you have read my New Year’s Eve post, you will know that I received two bottles of ink for Christmas, both from the new Lamy Crystal range. I am very happy with both these inks and I thought I would do a swatch sheet to compare with a couple of comparable inks from my meagre collection. Please note the writing on the swatch sheets is done by dipping a pen, whereas the sample in my ink log above is from a filled pen. The large colour swatch on each sheet is done using a cotton bud dipped in the ink which results in lower saturation than writing using a nib. The prices I have quoted below are the price at time of writing on the web shop of The Writing Desk. Prices from other suppliers may vary.
Lamy Crysal “Ruby” and J. Herbin “Rouge Caroubier”
These are two scrumptious red inks and I find them to be relatively ‘warm’ shades without veering off into the orange end of the red spectrum. I enjoy them very much even though I usually lean towards the cooler rather than warmer shades (although I did try out the Pilot Iroshizuku Fuyu-Gaki – Winter Persimmon – shade a couple of years ago and surprised myself with how much I enjoyed it).
These are both admirable ink shades and appear well-behaved on the page, although please bear in mind that I do use papers that are known to be receptive to fountain pen ink. It is not my intention to provide an in-depth review using varying paper qualities with feathering and bleed-through tests, although I am sure it won’t be long until those well-qualified in reviewing inks start posting reviews of the Lamy Crystal line.
The Lamy Crystal ink comes in a 30ml bottle for £9.50. The J. Herbin ink comes in either a 30ml bottle for £5.99 or standard international cartridges in a tin of 6 for £2.60.
Lamy Crystal “Peridot” and Graf von Faber-Castell “Deep Sea Green”
The Lamy Crystal Peridot is another lovely shade, leaning towards the bluer/teal side of green, but still recognisably green. It has a spruce feel to it; a hint of winter woodlands. This tendency is even more pronounced in the Graf von Faber-Castell Deep Sea Green which is definitely heading off in the deep turquoise direction. I admit that of the Graf von Faber-Castell offerings, I prefer Moss Green over Deep Sea Green and this is reflected in the fact that I have used up what I had and so can’t provide a swatch. I can safely say that I like the Peridot colour so much that I won’t be yearning for the Moss Green for a while.
Again, I have nothing but good things to say about both these inks so far as how they behave on fountain-pen friendly paper. Both dry in good time, which is important to me as I hate waiting around for the ink to dry. Yes, I am that impatient woman!
The Lamy Crystal ink comes in a 30ml bottle for £9.50. The Graf von Faber-Castell ink comes in a 75ml bottle for £24.99 and standard international cartridges at £2.50 for a cardboard pack of 6 or £8.49 for a super gift-box of 20.
I will wrap up by saying a little about the packaging of the Lamy Crystal inks. Lamy are renowned for having a nice, minimalist aesthetic in their packaging, and most items come in packets that can be easily recycled. The Crystal ink range sports a clean white cardboard box, highlighted with details in the appropriate ink colour. The ink name is clearly visible, which I believe makes it a lot easier for people new to buying fountain pen inks (or buying as gifts) to locate the appropriate colours. The glass bottles are functional, having wide tops to make filling pens easy and an interesting, rounded tricorn shape to the bottle. The base of the bottle is good and solid and I don’t imagine the bottles having any tendency to tip whilst you have them uncapped. I am happy to report that the design of the packaging demonstrates a level of thought that I would expect from this brand.
I hope this inky-fingered post has provided some food for thought and look forward to seeing you again later in the week for another little meander through my mind.
Have you tried out the Lamy Crystal inks, or are you familiar with their main range?