I am pretty sure this will be my final finished project in 2018, unless the elves come round and knit a bit of my old gold jumper for me whilst I sleep. It is the pattern “Stockport” designed by Sarah Hatton and was included in the Rowan Knitting and Crochet Magazine Number 46 issued in autumn 2009. This top is designed for Rowan Cocoon yarn.
I used Scheepjes Colour Crafter yarn, 100% acrylic, DK weight, with 300m per 100g ball in the shade Sint Niklaas (No. 2019). I am still not a fan of acrylic yarn, but this was far from unpleasant to work with. I achieved the correct stitch gauge holding this yarn double and working with 6mm wooden needles; my row gauge was off, but I just knitted extra rows to make up for it. I knitted the smallest size because the recipient is so svelte that she may be operating on the basis that in an extreme survival situation, the thinnest one will be the last to get eaten.
My choice of yarn was determined by the fact that I was knitting this garment as a gift for my lovely daughter and needed to fit in with her particular requirements. As far as possible, she only wears black, white and grey so the colour choice was pretty limited; she only wants man-made yarns for ease of washing and drying (small flat, no washing line). I originally thought of knitting a boxy stocking stitch jumper inspired by an item in a local boutique, but after a lot of searching ended up with this design. I fear a pale grey, boxy, stocking stitch, DK weight jumper might have been the end of me!
I thought the pattern was enjoyable to knit and, on the whole, easy to execute. The cables on the main body and the neckband were worked to written instructions which were simple; the braided cable on the chest and upper back were from a chart. Because of my dislike of following charted patterns, I transferred the information to a system of written instructions using index cards and once that was done I found it very enjoyable to follow. I am glad I worked this out, because I have some patterns with complex charts that I have given up on because I couldn’t follow the chart, and now I know I can try them again if I write out the pattern to suit my own brain.
The only negative thing I would say about the design is that the neckband didn’t work out too well for me. Because it is designed as a flat piece, I found the top edge sat oddly once it was attached. To resolve this, I worked a round of crochet stitches on the top edge, picking up two stitches out of every three, which worked very well indeed, but it did give me a twinge of concern that the whole garment might not turn out well. The design is supposed to sit as a boat-neck, and I think this modification will allow it to do that, but before I put in the crochet stitches, the top edge did not pull in at all and just sat straight up from the shoulder.
This pattern edges towards the yoked designs which are very popular at the moment, but they are not my favourites. I don’t think they suit me in particular, but also they seem more complex than a design without a yoke. I am, however, considering the possibility of using the cable pattern from this top juxtaposed on a basic jumper design with a round neckline and set-in sleeves and knitted in a lovely, jewel-toned Shetland wool (sapphire, ruby, garnet, amethyst, emerald – all would be appropriate). I would wear that baby until the cows come home, or until it disintegrated into tiny shreds, whichever came first. In fact it’s probably time to be eyeing up the wool.
I hope your knitting is going well, and that you are happy with the projects you’ve managed to finish this year.